Artisans & Kings...

Selected Treasures from the Musée du Louvre Coming to Colorado

© Stan Parchin

Louis XIV (1701) by Hyacinthe Rigaud (not on view), J. Paul Getty Museum

Works of art from the courts of France's King Louis XIV and his two immediate successors will grace Denver this Fall.

More than 125 superb objets d'art from the opulent Baroque court of Le Roi Soleil or the Sun King, France's Louis XIV (r. 1643-1715), and his two ostentatious Rococo successors comprise Artisans and Kings: Selected Treasures from the Musée du Louvre. This first international loan exhibition to be mounted in the new Frederic C. Hamilton Building of the Denver Art Museum will be on display from October 6, 2007 through January 6, 2008. The Musée du Louvre has never lent art on such a vast scale to a museum in the western United States. Artisans and Kings... is the first of three shows organized by both institutions; two more exhibitions of French treasures are planned for the DAM in 2008 and 2009.

During the French Revolution, the nucleus of the Musée du Louvre's collection was formed in 1793 when the state appropriated the three Bourbon rulers' private possessions. The show's extraordinary drawings, paintings, sculptures and works of decorative art, including ornate furniture and elaborate tapestries, reveal the rich history of royal artistic patronage in later seventeenth- and eighteenth-century France, unrivalled at the time in western Europe. Artists represented in the show include Titian (ca. 1488-1576), Peter Paul Rubens (1577-1640), Anthony van Dyck (1599-1641), Diego Velázquez (1599-1660), Rembrandt Harmensz. van Rijn (1606-1669) and Jean-Honoré Fragonard (1732-1806).

The Exhibition's Organization

A Spanish Masterpiece on View

A highlight of Artisans and Kings... is Diego Velázquez's intimate portrait of the Spanish Infanta Margarita (1653). The child is seen alone, stripped of her usual court dwarves, pampered puppies and ladies-in-waiting. Seemingly uncomfortable in her stiff and elaborate royal finery, she engages the viewer with an almost icy cold stare. The puerile porcelain-like Margarita is the embodiment of innocence arrested in time. Three years later, the same youngster played a central role in the artist's visually complex Las Meninas (The Maids of Honor).

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The copyright of the article Artisans & Kings... in Special Art Gallery Exhibits is owned by Stan Parchin. Permission to republish Artisans & Kings... must be granted by the author in writing.


Louis XIV (1701) by Hyacinthe Rigaud (not on view), J. Paul Getty Museum
Loves of the Gods (ca. 1775) , Peter Harholdt/Musée du Louvre
Et in Arcadia Ego (1638-40) by Nicolas Poussin, Peter Harholdt/Musée du Louvre
Pope Urban VIII (ca. 1640) by Gianlorenzo Bernini, Peter Harholdt/Musée du Louvre
Infanta Margarita (1654) by Diego Velázquez, Peter Harholdt/Musée du Louvre


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